"I write so that my handful of pebbles, cast into still waters, will create a ripple."
Showing posts with label memoir. Show all posts
Showing posts with label memoir. Show all posts

Thursday, December 6, 2012

Our Grandmothers, Ourselves



   This is an excerpt from Branches on the Conejo: Leaving the Soil After Five Generations, my memoir celebrating life in (then) the rural Southern California community of Thousand Oaks.                             

We daughters of the soil bear a long and affectionate link to the past. When most of us left home for the glamour and the financial opportunity of the city, we didn’t understand that we were abandoning our rural heritage. We thought we could escape the drudgery of chores and save up a nest egg for retirement. We never meant to sever the link. Now we baby boomers have become grandmothers, viewing the past through lens of wisdom. And we are torn.  

We think of ourselves as the last generation to be reared under the expectation that hard work will be rewarded. We work at town jobs but drive a tractor on Saturday mornings. We daydream of silk lingerie, but opt for a new pair of Wranglers. We help castrate sheep, but wear gloves to protect our nail polish. Some of us marry city boys and spend our lives trying to figure out why some things make us so cantankerous.

Still too close to the old ways, we see little reason to trade our values for others that seem artificially slick and calculated. We accept progress with a sigh, pick and choose what we will embrace.

We help raise sheep and cattle on our five-acre suburban plots while we work full time jobs in town. We grow peaches and apples and spend our weekends canning them into Mason jars before returning to our town jobs. We can’t understand why our children won’t help in the family garden, why our children and grandchildren have rejected our belief in hard work and have replaced it with confidence in a New World Economy. Our advice, our spirituality, our way of life seems archaic. We see our community becoming a service economy where no one wants to be the servant.

Our children think we are dinosaurs, fools for our work ethic and our slavish devotion to the old ways, and maybe we are. We seem to be caught in a schizophrenic blur between the old and the new.

We distrust bio-engineered food and altered milk. We remember when things tasted real. Many of us can still milk a cow. We recall our grandmother’s roses and geraniums before the nursery industry hybridized their scent away. We recall when trees were planted in both male and female varieties, the females making a mess in the yards with their pods and debris. But they attracted the pollen that now floats uselessly in the air. Now we sneeze and take our allergy medicine, and medicate our children’s asthma. We recall that the old days were healthier.

We study the photographs of our ancestors and we notice that hardly anyone was fat. We remember the Fifties, when sodas, flavored drink mixes, white bread and potato chips came into our diets, when sugar became synonymous with a mother’s love. We remember school prayer, spankings, being sent outside to play, and having to change into play clothes. We remember twice a week baths, and saying ‘thank you’, and calling our parent’s friends Mister and Missus instead of by their first names.

Now we are hounded by the guilt of our abandonment. Things are out of kilter and we suspect that we are to blame. Our grandparents’ photographs remind us that we forgot their lessons along the way. They were disciplined in a way that we are not, focused in a way that we have lost.

True, theirs was a world of fewer choices. I doubt, given the diversity of our temptations, they would have done any better than we have. But the fact is, we failed to heed their maxim: Waste not, want not. Maybe we are bracing ourselves for the consequences.

What about you? Anything resonate with you? 



Sunday, November 13, 2011

Letter from a Fan

This morning I received a note from a woman I’ve never met. We connected on a LinkedIn discussion and she asked about my memoir. Short version, I shipped her a couple copies and she and her sister read them at the same time. 

Here’s what she wrote:

Hi Anne. Although I wrote a discussion feed (9-10 days ago) about your book, it hit me today that I wanted to write directly to you…. For me, reading your essays zinged my spirit. I laughed out loud and even had a few tearful moments. I had become more at rest within my own skin yet, after reading those essays, there was a settling-in related to body comfortability. Truly, I do not think there are any pockets of body hatred left (in me)!
Her letter resonated on every level. Sure, it’s a fan letter from a complete stranger.Woo-hoo, Hurray for me!! But it’s so much more, a thread on the warp of the universal blanket we’re all creating together. Her act of kindness in reaching out to me on a drizzly winter morning gave me encouragement. I write in part to create community for those wounded by body image, estrangement or lack of direction. D--’s words reminded me that my words matter. I like to think it's a pay-it-forward thing for all the reviews I've written for other authors.

She went on:
As for my sister, C--, she wanted me to tell you that ORDINARY APHRODITE "made me come alive!. C-- sees the good all around her and enjoys interacting with others. Life has not been easy for her. She had experienced soulful healing of most old wounds and makes no bones about her spiritual strength. Specifically, C-- wanted me to tell you, "Your essays cleansed my soul, made me feel better about myself than ever before. Thank You!"
Whoa. And SHE thinks I’m the writer? Communication comes in many forms. Performance art, Visual art, written art, intuitive, auditory, physical touch; if it touches the heart, it’s communication.

There’s a saying that bounces around from writer’s workshop to writer’s workshop—Nonfiction is about facts, but Fiction is about truth. For me, Memoir is a bit of each--and more. It combines fact in a subjective way that reveals the truth of the writer’s heart, soul and humanity. A memorist connects with the universal “us” or there’s no point in publishing. Without this connection the writing is a private path for healing. (A great reason for writing memoir, by the way.)

I feel like making everyone feel connected is payback for junior high. I make a point to notice young teens, to remind them that they’re special and wonderful. Someone needs to, and I personally think it’s the job of us Village Crones, the old ladies-around-the-campfire telling the stories and passing on the tribal lore.

I have this theory about my writing—I show what it feels like to be unblocked.

Lots of people are blocked. (It may be a Western Hemisphere and Brunai thing.) They feel like they need MORE. More money, more shoes, more sex, more booze, or whatever it is that makes them happy. Just fill them up until they say “When!” But they’re blocked so nothing ever feels like enough. I’ve made it my journey to become unblocked. Compared to a few years ago, I can take an amazingly little amount of—whatever—food, money, talent, (shoes) or opportunity and it feels like enough. Whatever I have passes through my writing fingers and comes out big enough to share.

This is the secret to success. Unblock the creative flow. Loosen the heart strings. Add a thread to the universal blanket. Proverbs says it best: Give away all the talents and more will come. God loves a cheerful giver.

I hate to admit it, but ORDINARY APHRODITE doesn’t contain the keys to the kingdom. It’s just a humorous, relaxing way to voyeur (can that be a verb?) into my life and see if anything works for you. Hey, I have plenty—help yourself. And if you find anything, I’d love it if you drop me a line. 

So what about you? Have you ever written a fan letter? Received one? Wanna share how it made you feel?